Poetry from Mary Oliver’s Dream work.
DREAMS
All night
the dark buds of dreams
open richly.
In the center
of every petal
is a letter, and you imagine
if you could only remember
and string them all together
they would spell the answer.
It is a long night,
and not an easy one—
you have so many branches,
and there are diversions—
birds that come and go,
the black fox that lies down
to sleep beneath you,
the moon staring
with her bone-white eye.
Finally you have spent
all the energy you can
and you drag from the ground
the muddy skirt of your roots
and leap awake
with two or three syllables
like water in your mouth
and a sense
of loss—a memory
not yet of a word,
certainly not yet the answer—
only how it feels
when deep in the tree
all the locks click open,
and the fire surges through the wood,
and the blossoms blossom.
(Oliver, 1986, pp. 18-19)
THE JOURNEY
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice—
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations—
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
As you left their voices behind, the stars began to burn
through the sheets of clouds,
and there was a new voice,
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do—
determined to save
the only life you could save.
(Oliver, 1986, pp. 38-39)
RAGE
You are the dark song
of the morning;
serious and slow,
you shave, you dress,
you descend the stairs
in your public clothes
and drive away, you become
the wise and powerful one
who makes all the days
possible in the word.
But you were also the red song
in the night,
stumbling through the house
to the child’s bed,
to the damp rose of her body,
leaving your bitter taste.
And forever those nights snarl
the delicate machinery of the days.
When the child’s mother smiles
you see on her cheekbones
a truth you will never confess;
and you see how the child grows—
timidly, crouching in the corners.
Sometimes in the wide night
you hear the most mournful cry,
a ravished and terrible moment.
In your dreams she’s a tree that will never come to leaf—
in your dreams she’s a watch
you dropped on the dark stones
till no one could gather the fragments—
in your dreams you have sullied and murdered,
and dreams do not lie.
(Oliver, 1986, pp. 12-13)
References
Oliver, M. (1986). Dream work. New York: The Atlantic Monthly Press.
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